At the Studio some of my favorite mics to track with are my AEA R84 and Royer 121 Ribbon Microphones.
I happened to stumble upon this today and I found the conclusion to be pretty entertaining.
I hope you enjoy it!
Weird Ribbon Mic Tricks
By George Petersen
A ribbon mic in front of a kick drum is a recipe for disaster, as the drum’s enormous air pressure can instantly distort/destroy the mic’s sensitive ribbon. However, you can often get a huge — yet safe — kick sound by laying a ribbon mic on a pillow inside the drum, with the mic’s element pointing straight up toward the ceiling so the air flows across (and not into) the mic.
For guitar overdubs, try putting a ribbon (or other figure-8 mic) between two 4×12 cabinets that face each other. As the back side of a figure-8 mic is out-of-phase with the front, wire one of the 4×12s out-of-phase, experiment a bit with mic-to-cabinet distances and you’ve got a massive guitar sound like no other!
Please note that if hiring a microphone from Audio Analysis or AA Masters or Marcus Wilson Studio Hire that under no circumstance are you aloud to try this with any of our microphones, if you get the placement wrong you will destroy our microphone and you will be fined with the cost of replacing that microphone- not just the ribbon.
This article was found at www.audioanalysis.co.nz

Cheers,
Rob

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